Hello, my darklings. Sorry for the prolonged absence from this blog, as I’ve begun working on my new animation project entitled Wunderkammer. This project sees the return of Madelaine, the mysterious Victorian lady from my previous short films La Petite Mort (2013) and An Unfortunate Incident Involving Her Hat (2012). As always, curious happenings befall Madelaine. In the latter film, Madelaine became the victim of a very bizarre wardrobe malfunction, and in the former, she engaged in a romantic — but ultimately tragic — tryst with an octopus. Similarly, in Wunderkammer her uncanny adventures continue.
For those not familiar with the term, a wunderkammer was a Renaissance-era predecessor of the modern museum collection. Below is a definition copied from the Tate Modern web site:
Wunderkammer or curiosity cabinets were collections of rare, valuable, historically important or unusual objects, which generally were compiled by a single person, normally a scholar or nobleman, for study and/or entertainment. […]Exotic natural objects, art, treasures and diverse items of clothing or tools from distant lands and cultures were all sought for the wunderkammer. Particularly highly prized were unusual and rare items which crossed or blurred the lines between animal, vegetable and mineral. Examples of these were corals and fossils and above all else objects such as narwhal tusks which were thought to be the horns of unicorns and were considered to be magical.
— excerpt from “History of the wunderkammern (cabinet of curiosities).”
I include here some pencil sketches of the various items and curios found inside the wunderkammer of my film (subject to change as the project evolves, of course).