Wunderkammer Society’s Taxidermy Showcase in NYC, October 29, 2019.

I’m delighted to announce that my short animated film Wunderkammer will screen at the one-night only Beautiful & Bizarre Taxidermy Showcase happening in Brooklyn on October 29th. I can’t think of a more perfect pairing. Here’s the little blurb the event organizers wrote about my film:

 

What’s in the box? Madelaine’s cabinet of curiosities contained a collection of wonders to both delight and horrify. One day, a mysterious item in her cabinet captures her attention. A darkly-tinged fantasy that explores the erotic-grotesque. Intrigued? Find out more when we show Jennifer Linton’s short film, aptly titled, “Wunderkammer”! An official selection honoured at dozens of films festivals internationally, we are thrilled this independent animation, with richly textured paper cutouts and startling stop-motion, will welcome guests to our showcase! Tickets at https://bit.ly/2MwXwdm

Playing with paper puppets

 

In addition to teaching and making art and animated films, I like to make and sell articulated paper puppets for my Etsy shop. Think I just enjoy the straightforward, playful simplicity of puppets and paper dolls.

I recently made this short stop-motion video “commercial” to promote my shop — but, honestly, I just wanted to get some of these puppets under camera to see what I could do with them. Their range of motion is limited (most of the heads don’t move), but I was up for the challenge.

The music is just some royalty free loop I downloaded from Soundsnap.

Festival updates (Spring 2019)

Hi there, gentle readers. March has proven a busy month for my short animated film Wunderkammer. It has screened (or will screen, at the time of writing) at three film festivals: the Boston Underground Film Festival, the Midwest Weirdfest (great name!), and the Las Palmas International Film Festival in the Canary Islands, Spain.

Sadly, my teaching commitments + costs of travel have prevented me from attending these festivals, but below are some screen captures from the festival web sites plus a nice little mention in a blog review from BUFF. Gotta love those naughty Victorians.

Blowing off the dust from my Etsy shop.

Over the Christmas/New Year’s break, I turned my attention towards the business side of my art practice. In the spirit of renewal for the New Year, I decided to resurrect my cobwebbed and long neglected Etsy shop and upload some new listings. Ultimately, I plan to add these to this web site/blog — with an option to purchase via PayPal button — once I figure how to actually do that.

The link to my Etsy shop is https://www.etsy.com/ca/shop/jdlinton

Below are the listings on offer:

Wunderkammer

SYNOPSIS:
Madelaine’s cabinet of curiosities contained a collection of wonders to both delight and horrify. One day, a mysterious item in her cabinet captures her attention. A darkly-tinged fantasy that explores the erotic-grotesque.

Directed, animated, and edited by Jennifer Linton
Musical score by Zev Farber

ABOUT THIS FILM
Wunderkammer is a 2D stop-motion animated film shot under camera using unarmatured, replacement paper cutouts. This traditional animation medium involves hundreds of individual drawings that are drawn on paper, scanned, printed, hand-coloured and cutout. These cutouts are swapped in frame-to-frame to create smooth, complex movements not possible with articulated paper puppets. The resulting film has all the hand-drawn charm and personality of traditional cel animation, plus the lovely textures and materiality of stop-motion.

Many thanks to the kind generosity of my Indiegogo contributors!

Copyright ©2018 Papercut Pictures. All rights reserved.

Preview clip of “Wunderkammer”

Preview clip for “Wunderkammer”. from Jennifer Linton on Vimeo.

The entire film of Wunderkammer is under lock-and-key on Vimeo until it’s had a festival run, but you can get a taste of it in this clip. Very pleased with the original score composed by Zev Farber.

SYNOPSIS:
Madelaine’s cabinet of curiosities contained a collection of wonders to both delight and horrify. One day, a mysterious item in her cabinet captures her attention. A darkly-tinged, animated fantasy that explores the erotic-grotesque.

ABOUT THIS FILM
Wunderkammer is a 2D stop-motion animated film shot under camera using unarmatured, replacement paper cutouts. This traditional animation medium involves hundreds of individual drawings that are drawn on paper, scanned, printed, hand-coloured and cutout. These cutouts are swapped in frame-to-frame to create smooth, complex movements not possible with articulated paper puppets. The resulting film has all the hand-drawn charm and personality of traditional cel animation, plus the lovely textures and materiality of stop-motion.

Many thanks to the kind generosity of my Indiegogo contributors!

Copyright ©2018 Papercut Pictures. All rights reserved.

June 2018 Update

Hello gentle renders. It’s been a while since we’ve had a proper Lady Lazarus blog post, therefore I feel that an update is long overdue. My various teaching gigs and ongoing animation project have, predictably, commandeered my time and energy. However, I now can see the light at the end of the proverbial tunnel.

scene 16 blur

Work-in-progress video still from “Wunderkammer” (projected release date Fall 2018).

First off, I just completed all of the footage for my short animated film Wunderkammer. This project has been three years in the making, with the occasional long pause in the work flow due to my teaching jobs. That’s a fairly lengthy birth process, but I’m happy to report that this baby is (mostly) birthed. I have edited together all the footage, and am now giving final consideration to the overall pacing before I deliver the film to be scored. I can hardly wait to both see and hear this strange little short film.

indiegogo final

Second bit of news, my crowdsourced fundraising campaign is drawing to a close and –I’m delighted to report — we’ve surpassed our funding goal. I’m very, very grateful to all the contributors who offered their hard-earned cash to support this project. These funds will help pay for the music, and also help with the submission fees to film festivals. I’m hoping for a 1-2 year festival run, during which time the film will not be viewable for free online. Fingers crossed that this weird animated film finds it’s festival audience.