May festival update 2019

Hi Darklings,

Quick update as to what’s happening in the world of all things papercut: Papercut Pictures and Papercut Puppets.

Firstly, my latest animated short Wunderkammer will screen May 11th at the Anifilm 2019 international animation festival in Třeboň, Czech Republic in the non-competitive programming block “Midnight Animation: Body”. This feels like a stylistic homecoming for this project, since it was inspired (in part) by Czech paper cutout animation, most notably the work of Jiří Trnka Studio in Prague (who created the feature-length cutout animation film Fantastic Planet).

In June, Wunderkammer screens on Thursday, June 6th at the granddaddy of North American underground film festivals, the Chicago Underground Film Festival.

Lastly, I continue to add to the paper puppets in my Etsy shop. Check in at regular intervals for the latest additions.

Festival updates (Spring 2019)

Hi there, gentle readers. March has proven a busy month for my short animated film Wunderkammer. It has screened (or will screen, at the time of writing) at three film festivals: the Boston Underground Film Festival, the Midwest Weirdfest (great name!), and the Las Palmas International Film Festival in the Canary Islands, Spain.

Sadly, my teaching commitments + costs of travel have prevented me from attending these festivals, but below are some screen captures from the festival web sites plus a nice little mention in a blog review from BUFF. Gotta love those naughty Victorians.

Wunderkammer

SYNOPSIS:
Madelaine’s cabinet of curiosities contained a collection of wonders to both delight and horrify. One day, a mysterious item in her cabinet captures her attention. A darkly-tinged fantasy that explores the erotic-grotesque.

Directed, animated, and edited by Jennifer Linton
Musical score by Zev Farber

ABOUT THIS FILM
Wunderkammer is a 2D stop-motion animated film shot under camera using unarmatured, replacement paper cutouts. This traditional animation medium involves hundreds of individual drawings that are drawn on paper, scanned, printed, hand-coloured and cutout. These cutouts are swapped in frame-to-frame to create smooth, complex movements not possible with articulated paper puppets. The resulting film has all the hand-drawn charm and personality of traditional cel animation, plus the lovely textures and materiality of stop-motion.

Many thanks to the kind generosity of my Indiegogo contributors!

Copyright ©2018 Papercut Pictures. All rights reserved.

Preview clip of “Wunderkammer”

Preview clip for “Wunderkammer”. from Jennifer Linton on Vimeo.

The entire film of Wunderkammer is under lock-and-key on Vimeo until it’s had a festival run, but you can get a taste of it in this clip. Very pleased with the original score composed by Zev Farber.

SYNOPSIS:
Madelaine’s cabinet of curiosities contained a collection of wonders to both delight and horrify. One day, a mysterious item in her cabinet captures her attention. A darkly-tinged, animated fantasy that explores the erotic-grotesque.

ABOUT THIS FILM
Wunderkammer is a 2D stop-motion animated film shot under camera using unarmatured, replacement paper cutouts. This traditional animation medium involves hundreds of individual drawings that are drawn on paper, scanned, printed, hand-coloured and cutout. These cutouts are swapped in frame-to-frame to create smooth, complex movements not possible with articulated paper puppets. The resulting film has all the hand-drawn charm and personality of traditional cel animation, plus the lovely textures and materiality of stop-motion.

Many thanks to the kind generosity of my Indiegogo contributors!

Copyright ©2018 Papercut Pictures. All rights reserved.

June 2018 Update

Hello gentle renders. It’s been a while since we’ve had a proper Lady Lazarus blog post, therefore I feel that an update is long overdue. My various teaching gigs and ongoing animation project have, predictably, commandeered my time and energy. However, I now can see the light at the end of the proverbial tunnel.

scene 16 blur

Work-in-progress video still from “Wunderkammer” (projected release date Fall 2018).

First off, I just completed all of the footage for my short animated film Wunderkammer. This project has been three years in the making, with the occasional long pause in the work flow due to my teaching jobs. That’s a fairly lengthy birth process, but I’m happy to report that this baby is (mostly) birthed. I have edited together all the footage, and am now giving final consideration to the overall pacing before I deliver the film to be scored. I can hardly wait to both see and hear this strange little short film.

indiegogo final

Second bit of news, my crowdsourced fundraising campaign is drawing to a close and –I’m delighted to report — we’ve surpassed our funding goal. I’m very, very grateful to all the contributors who offered their hard-earned cash to support this project. These funds will help pay for the music, and also help with the submission fees to film festivals. I’m hoping for a 1-2 year festival run, during which time the film will not be viewable for free online. Fingers crossed that this weird animated film finds it’s festival audience.

Update on “Wunderkammer”

Hello! Welcome to the cold, dark days surrounding the Winter Solstice. It’s been a while since I last blogged, so I thought I’d post an update on the progress of my paper cutout animation Wunderkammer. I’m about two-thirds of the way complete, so I’m beginning to see the light at the end of the animation tunnel. It’s a very, very long tunnel. Thus far, the footage amounts to only two-and-a-half minutes which, on the one hand, doesn’t seem like much. On the other hand, it truly is. Twenty-four frames a second, gentle readers.

Now that the Fall term in my teaching job is winding down for the Winter break, my production should pick up somewhat.