Can I let you in on a secret? This hardcore horror fan is scared of ghosts — OK, more specifically, films that feature ghosts. I’ve watched zombie hordes feast on flesh, and vampires drink human blood. I’ve seen the minions of Satan perform gory midnight rituals, and serial killers dispatch their victims in creatively sadistic ways. None of these have frightened or unnerved me to the degree that a good, old-fashioned ghost story can. If anything can cause me to cower beneath the bed covers at night, it’s the suggestive power of a ghost story that relies on psychology rather than gore or cheap scare tactics to frighten the bejeezus outta you. Therein lies its true potency.
1. The Japanese have always had a knack for constructing effective tales of the supernatural. Ugetsu monogatari (dir. Kenji Mizoguchi, 1953) is a beautifully-shot, black-and-white masterwork from Japan’s “Golden Age” of cinema. This film is a jidaigeki (period drama) set during the Edo period, and is ostensibly a morality play on the theme of personal responsibility. As is customary in many Asian ghost stories, the supernatural co-exists with the world of the living in a straightforward, matter-of-fact way. Ghosts can be the benevolent souls of the dearly departed who dwell on the earth to protect family members, or they are malevolent spirits bent on revenge. The ghosts in Ugetsu are more the former than the latter, although the Lady Wakasa has a definite sinister side to her. I would characterize this film as a tale of misfortune and poor-choices-with-tragic-consequences than as a ghost story whose raison d’être is to merely frighten.
2. While we’re on the topic of Japanese ghost stories, my next pick The Ring (2002) is the English-language remake of the Japanese film Ringu (1998). When a foreign-language film is remade into an English version, I almost invariably prefer the original film — in fact, I very seldom watch remakes of foreign-language films as I feel that much of the original context is lost in translation (ie. the [REC] films are enriched by their location in Spain, with everyone speaking Spanish, etc). Gore Verbinski’s The Ring is that rare exception where the remake is an improvement over the original. Verbinski maintains the visual aesthetics of the original, but torques up the fright factor. The remake also removes some of the problematic (for a Western audience) gender issues that are present in the original film.
3. Ti West is one of my favourite new directors working in the horror genre. He is the master of the slow-boil, and while the snail’s pace of his 2011 film The Innkeepers is definitely not for the thrill-a-minute horror fan, I truly believe that the slow pace works to amplify the creepy-as-hell finale. West gives us ample time to get to know his two main characters Claire and Luke, two employees — and amateur paranormal investigators — who work at a supposedly haunted New England hotel. I actually switched this movie off twice whilst viewing it. The first time, it was out of sheer boredom. It was 45-minutes into the film, and virtually nothing had happened other than some banal, somewhat-flirty banter between our two protagonists, and the occasional hotel guest complaining that they had no towels in their rooms. I decided to try again. The second time I switched it off, it was because things were finally happening, and the suspense had me too much on edge. My advice: stick with it, because the ending is worth it.
4. An overlooked gem from the early 1960’s, Carnival of Souls (1962) has received some well-deserved recognition from genre fans these past few years. An impressionistic, almost surreal black-and-white film that follows the lone survivor of a car accident who’s haunted by visions of a ghoulish man who stares silently at her, grinning. Did she survive the car accident, or is she truly dead and a ghost? That’s the question that torments poor Mary throughout Carnival of Souls, and while the story is somewhat threadbare, the visuals and atmosphere are superb.
5. I’ve already written about Robert Wise’s The Haunting (1963) in a previous post, but I felt it definitely needed to be on this list. Let’s all pretend that the abominable 1999 remake didn’t happen, shall we? This is such a beloved Gothic ghost story. Watch the clip below to see why:
6 thoughts on “Horror Films 101: Favourite Ghost Stories.”
Gosh I love all those horror films that you write about in this blog post But to find someone who knows about The Haunting (1963) is amazing I love that film It’s quite bonkers of course but the acting is wonderful & Claire Bloom is way sexier than Catherine Zeta-Jones in that terrible remake Wow finding this post & your blog (well written by the way) I won’t pretend to know your more arty posting (though very nice) But ancient horror films I do know about I am so pleased to have found your Pinterest Boards & your blog
Thanks for the follow, and for your comments on my blog. “The Haunting” (the 1963 film) is one of my favourite ghost stories, ever. I couldn’t even get through that awful, pointless remake. Blech.
I wonder if you’ve seen a film named The Night of The Demon (1957) It stars Dana Andrews of the film noir Laura (1944) fame It was shot here in the UK & is based on an M R James short story If you like it I’ve got some of James’ work dramatised for the BBC James is a master of the slow build up From normal then moves gradually through to Scarey.
No, I haven’t seen that one. At first, I thought you meant “Night of the Demons” (1988) http://www.imdb.com/title/tt0093624/ which (I suspect) is a very different film. Dana Andrews! I remember him from the original “Invasion of the Body Snatchers”.
The Night Of The Demon is one of those 50’s horror gems that apparently nobody has seen! A good ol’ fashioned curse story, where our protagonist must race against time to save his ass from the adorable fuzzy demon a chubby crackpot man witch has sicked on him. Hypnotism, mommy issues, offbeat mysticism…good stuff!
The haunting remains my favorite horror flick, glad to see it’s present on your list.
“Who was holding my hand?!?!”
And I’m sorry but I gotta correct you…Kevin McCarthy is the star of the original ‘Snatchers’, not Mr. Andrews :)
“Hypnotism, mommy issues, offbeat mysticism…”, I’m definitely seeking this one out. You’re absolutely correct, it’s Kevin McCarthy in the original “Invasion of the Body Snatchers”: http://www.imdb.com/title/tt0049366/
And, for all these years, I thought the male lead was Dana Andrews. Whoops. My bad. Thanks for the correction.