Ouroboros spins a loose narrative of joy, grief, death and rebirth, all told through looping images printed on physical animation devices known as phonotropes. Much like the titular ouroboros, a symbolic snake that devours its own tail, everything in life is a loop.
After three years — two of which were significantly hindered by my concussion and subsequent recovery, in addition to a global pandemic and various lockdowns — my phonotrope project has finally reached its conclusion with the release of a 6-minute experimental animated short film featuring four different phonotropes and original music created by my frequent collaborator, Zev Farber. The film is currently being submitted to various film festivals worldwide, and will be released online thereafter.
Ouroboros captures my ongoing fascination with physical animation devices known as phonotropes — a contemporary update on the 19th-century pre-cinema device, the zoetrope — which uses a record turntable and a video camera to capture the magic of the animated loops. Created during the various pandemic lockdowns and shot entirely on my smartphone, this short film visualizes perpetual cycles of beginnings, endings, and the inevitable reset of the loop.