Preview clip for “Wunderkammer”. from Jennifer Linton on Vimeo.
The entire film of Wunderkammer is under lock-and-key on Vimeo until it’s had a festival run, but you can get a taste of it in this clip. Very pleased with the original score composed by Zev Farber.
Madelaine’s cabinet of curiosities contained a collection of wonders to both delight and horrify. One day, a mysterious item in her cabinet captures her attention. A darkly-tinged, animated fantasy that explores the erotic-grotesque.
ABOUT THIS FILM
Wunderkammer is a 2D stop-motion animated film shot under camera using unarmatured, replacement paper cutouts. This traditional animation medium involves hundreds of individual drawings that are drawn on paper, scanned, printed, hand-coloured and cutout. These cutouts are swapped in frame-to-frame to create smooth, complex movements not possible with articulated paper puppets. The resulting film has all the hand-drawn charm and personality of traditional cel animation, plus the lovely textures and materiality of stop-motion.
Many thanks to the kind generosity of my Indiegogo contributors!
Copyright ©2018 Papercut Pictures. All rights reserved.
It’s mid-March, and I’m rounding the final corner on my animation project Wunderkammer. It appears that I’m on schedule to release this short film in late Summer 2018. Details to follow. Below are a few recent images:
Hello! Welcome to the cold, dark days surrounding the Winter Solstice. It’s been a while since I last blogged, so I thought I’d post an update on the progress of my paper cutout animation Wunderkammer. I’m about two-thirds of the way complete, so I’m beginning to see the light at the end of the animation tunnel. It’s a very, very long tunnel. Thus far, the footage amounts to only two-and-a-half minutes which, on the one hand, doesn’t seem like much. On the other hand, it truly is. Twenty-four frames a second, gentle readers.
Now that the Fall term in my teaching job is winding down for the Winter break, my production should pick up somewhat.
Hello, my darklings. Thought I’d create a work-in-progress blog post for my ongoing Wunderkammer animation project. Above you can see a video of the final render for scene 8, in which the contents of the titular wunderkammer are revealed. All of the images in this scene were drawn by hand, scanned and output as large-format greyscale prints. These prints are then coloured with coloured pencils and, in some cases, cut out. Once the backgrounds and cutouts are complete, I shoot them under-camera using stop-motion techniques. Below are a couple of quick cellphone photos of this work process.
Work-in-progress shots of my latest paper cutout animation project, entitled Wunderkammer.* Coming in 2018.
SYNOPSIS: Madelaine’s cabinet of curiosities contains wonders strange, frightening, and erotic.
*A wunderkammer, also known as a “cabinet of curiosities”, is a place in which a collection of curiosities and rarities is exhibited.
Storyboard image from “Wunderkammer”
Please take a moment to vote for my short animated film Toronto Alice.
Each week, Reel 13 presents three Short films for consideration. Viewers vote for their favorite, and the winner airs on Saturday night along with our Classic and Independent feature films. Be sure to check back each week to vote for your favorite – new films appear each Saturday night at midnight; voting continues through Wednesday at 5pm. — WNED PBS (Buffalo).
I’m delighted to announce that Toronto Alice will screen on July 31st in the Children’s Films program at New Horizon International Film Festival in Wrocław, Poland. Considering that my use of paper cutouts is largely inspired by the work of Polish animators Jan Lenica and Walerian Borowyck, the inclusion of my film in this Polish film festival feels like a sort of stylistic homecoming.
Toronto Alice gets an “Indie Tuesdays” review on the Toronto Film Scene blog:
“It is almost a shame that the film is only five minutes long since Toronto Alice would make a great feature-length film. However, as it stands, this is a wonderful little short film that brings Lewis Carroll’s characters to life in the city of Toronto.”
Hello, my darklings. Hope you’re enjoying the warmer-than-usual weather in February (at least in Toronto). Just wanted to post an update on the various film festivals that are screening my work over the next few weeks.
Firstly, I’m truly honoured to have my short animated film La Petite Mort included in the “Independent (Canadian) Scene” program at Tricky Women 2016 in Vienna. Many heartfelt thanks to Madi Piller, executive director of Toronto Animated Image Society (TAIS), who curated this program. She is a tireless supporter of independent animators.
Then, this tentacled darling of an animated short slithers her way to Lausanne, Switzerland for La Fête du Slip, an international porn festival. Needless to say, the preceding link is very NFSW unless you happen to work in a porn shop, or perhaps VICE Magazine. Oddly enough, I don’t consider this film as porn per se, but as a self-professed “sex-positive feminist”, I’m fine with that categorization, too. Evidently, the porn world has been craving more scenes of sexual exchange between a woman and an octopus. This could be a very niche market.
My other cinematic child, Toronto Alice, travels to Los Angeles for the L.A. International Women’s Film Festival in March. Many thanks to Leslie -Ann Coles for curating the Canadian Shorts program that includes this film.
I’m also excited to share that I’m currently developing a new script for another of my independent animations. This new project will be closer to La Petite Mort in look and feel, and has the working title of Wunderkammer. Stay tuned.
Toronto Alice had her World Premiere at Animation Chico this past Saturday, December 12th. It’s only a happy accident that the festival trailer happens to rest on an image from the film, but I’ll celebrate that small, random victory nonetheless.