OUROBOROS is having its world premiere in Germany at the Internationale Kurzfilmwoche Regensburg (Regensburg International Short Film Week), March 16-26, 2023. My film opens the PARTYFILME program, so let’s drop that needle.
Hello gentle renders. It’s been a while since we’ve had a proper Lady Lazarus blog post, therefore I feel that an update is long overdue. My various teaching gigs and ongoing animation project have, predictably, commandeered my time and energy. However, I now can see the light at the end of the proverbial tunnel.
Work-in-progress video still from “Wunderkammer” (projected release date Fall 2018).
First off, I just completed all of the footage for my short animated film Wunderkammer. This project has been three years in the making, with the occasional long pause in the work flow due to my teaching jobs. That’s a fairly lengthy birth process, but I’m happy to report that this baby is (mostly) birthed. I have edited together all the footage, and am now giving final consideration to the overall pacing before I deliver the film to be scored. I can hardly wait to both see and hear this strange little short film.
Second bit of news, my crowdsourced fundraising campaign is drawing to a close and –I’m delighted to report — we’ve surpassed our funding goal. I’m very, very grateful to all the contributors who offered their hard-earned cash to support this project. These funds will help pay for the music, and also help with the submission fees to film festivals. I’m hoping for a 1-2 year festival run, during which time the film will not be viewable for free online. Fingers crossed that this weird animated film finds it’s festival audience.
I’m delighted to announce that Toronto Alice will screen on July 31st in the Children’s Films program at New Horizon International Film Festival in Wrocław, Poland. Considering that my use of paper cutouts is largely inspired by the work of Polish animators Jan Lenica and Walerian Borowyck, the inclusion of my film in this Polish film festival feels like a sort of stylistic homecoming.
A wunderkammer, otherwise known as a cabinet of curiosity. This is an animated GIF testing out the opening motion of the doors to the cabinet in my film.
Hello, my darklings. Sorry for the prolonged absence from this blog, as I’ve begun working on my new animation project entitled Wunderkammer. This project sees the return of Madelaine, the mysterious Victorian lady from my previous short films La Petite Mort (2013) and An Unfortunate Incident Involving Her Hat (2012). As always, curious happenings befall Madelaine. In the latter film, Madelaine became the victim of a very bizarre wardrobe malfunction, and in the former, she engaged in a romantic — but ultimately tragic — tryst with an octopus. Similarly, in Wunderkammer her uncanny adventures continue.
For those not familiar with the term, a wunderkammer was a Renaissance-era predecessor of the modern museum collection. Below is a definition copied from the Tate Modern web site:
Wunderkammer or curiosity cabinets were collections of rare, valuable, historically important or unusual objects, which generally were compiled by a single person, normally a scholar or nobleman, for study and/or entertainment. […]Exotic natural objects, art, treasures and diverse items of clothing or tools from distant lands and cultures were all sought for the wunderkammer. Particularly highly prized were unusual and rare items which crossed or blurred the lines between animal, vegetable and mineral. Examples of these were corals and fossils and above all else objects such as narwhal tusks which were thought to be the horns of unicorns and were considered to be magical.
— excerpt from “History of the wunderkammern (cabinet of curiosities).”
I include here some pencil sketches of the various items and curios found inside the wunderkammer of my film (subject to change as the project evolves, of course).
Three wet specimen jars containing (left to right) a jellyfish, octopus, and a snake. The octopus is a small nod to my previous film La Petite Mort.
Conjoined twins preserved within a glass specimen container (container not drawn yet).
Pair of tsantsa, or shrunken human heads. Sure, this might be culturally insensitive, but tsantsa were wildly popular in the 19th century as items of “curiosity” in European cabinets.
Taxidermy monkey with martini glass. Taxidermy of all kind was popular inside wunderkammer. Not entirely happy with this sketch, and I may revisit at a later date.
What it looks like: a cloud with a single eye. This never existed inside any wunderkammer, but it does inside mine.
The mysterious box. Believe it or not, the contents of this box will prove to be the most strange and curious item inside my wunderkammer. Stay tuned.
Whilst attending the International Short Film Festival Oberhausen in Germany this month (May 2016), I had the pleasure of being interviewed by three young German journalism students. We had a brief conversation about my film in the festival Toronto Alice. They recently sent me a link to the interview, and I used Camtasia to capture it in order to share it with you, my readers. There is no video, only audio.
At one point in the recording, you’ll hear my voice mutter the word “ambiguous” over top of the interview. This was in response to — and a correction of — my previous misuse of the word “ambivalent” during the interview.
Just returned from Oberhausen, and had a wonderful experience there. Many thanks to the festival programmers, organizers, and to the Canada Council for their support of my trip to Germany.
Toronto Alice gets an “Indie Tuesdays” review on the Toronto Film Scene blog:
“It is almost a shame that the film is only five minutes long since Toronto Alice would make a great feature-length film. However, as it stands, this is a wonderful little short film that brings Lewis Carroll’s characters to life in the city of Toronto.”
Hello, my darklings. Hope you’re enjoying the warmer-than-usual weather in February (at least in Toronto). Just wanted to post an update on the various film festivals that are screening my work over the next few weeks.
Firstly, I’m truly honoured to have my short animated film La Petite Mort included in the “Independent (Canadian) Scene” program at Tricky Women 2016 in Vienna. Many heartfelt thanks to Madi Piller, executive director of Toronto Animated Image Society (TAIS), who curated this program. She is a tireless supporter of independent animators.
Then, this tentacled darling of an animated short slithers her way to Lausanne, Switzerland for La Fête du Slip, an international porn festival. Needless to say, the preceding link is very NFSW unless you happen to work in a porn shop, or perhaps VICE Magazine. Oddly enough, I don’t consider this film as porn per se, but as a self-professed “sex-positive feminist”, I’m fine with that categorization, too. Evidently, the porn world has been craving more scenes of sexual exchange between a woman and an octopus. This could be a very niche market.
My other cinematic child, Toronto Alice, travels to Los Angeles for the L.A. International Women’s Film Festival in March. Many thanks to Leslie -Ann Coles for curating the Canadian Shorts program that includes this film.
I’m also excited to share that I’m currently developing a new script for another of my independent animations. This new project will be closer to La Petite Mort in look and feel, and has the working title of Wunderkammer. Stay tuned.
Toronto Alice had her World Premiere at Animation Chico this past Saturday, December 12th. It’s only a happy accident that the festival trailer happens to rest on an image from the film, but I’ll celebrate that small, random victory nonetheless.
After much thought, I’ve decided to post the entire short film of Toronto Alice online for all to see. Even though I’ve submitted to a bunch of festivals, I decided that wider exposure online was worth the risk of disqualifying the film from a handful of festivals.
If you enjoy, then please share widely. Thanks.
Lady Lazarus 