Walerian Borowczyk’s “La bête” (‘The Beast’)

Horror at the discovery of the slaughtered lamb and bear-like Beast in the surrealistic dream sequence.

I wanted to revisit a film I’d mentioned in the previous post on Walerian Borowczyk. This blog entry introduced the work of Polish filmmaker Borowczyk and offered a brief analysis of his softcore films created in the mid-1970s. His most notorious and controversial film La bête (‘The Beast’, 1975) was released shortly after Contes immoraux (‘Immoral Tales’, 1974) and was, in fact, an expansion of a sequence originally shot for the earlier anthology. This sequence consisted of a rather cheeky retelling of the Beauty & The Beast fairytale as only Borowczyk’s ribald imagination could envision. An aristocratic woman in a powdered wig is roused from her harpsichord by the sudden disappearance of a lamb outside the window of her country manor. She ventures into the nearby forest in search of the lamb, only to discover its carcass being gnawed on by an enormous, bear-like creature. Presumably fearing for her life, the woman screams and runs through the forest in a frenzied manner that quite effectively removes all of her clothing save for her corset and stockings. In close pursuit, the Beast appears visibly aroused by the semi-nude woman, as evidenced by the absurdly large phallus it sports. The woman is eventually captured by the creature, who performs oral sex on her whilst she hangs from a tree branch in a futile attempt at escape. Her wild protestations soon vanish and she surrenders to the erotic attentions of the Beast in one of cinema’s most bizarre, and hilarious, sex scenes.

Sweet, sweet loving between Beauty and her Beast. Walt Disney, this ain’t.

If the text on the DVD package is accurate, La bête was banned for the past 25 years in the UK on the grounds of its depictions of bestiality. If true, this would strongly suggest that the British censors possessed neither imagination nor a sense of humour. The sex depicted in this sequence lacks any sense of realism and is clearly meant as a darkly comedic farce of the romantic relationship typically found in the traditional Beauty & the Beast fairytale. Borowczyk’s penchant for the grotesque also shapes the scene. A man in a bear suit touting an enormous prosthetic penis is grotesque, ridiculous and not-so-vaguely perverted, but it’s certainly not bestiality.

Now that La bête is available on DVD, my advice to the British censors is to slip a copy into the player, decant the wine, plant themselves on the couch and enjoy this sexy and thoroughly absurd film. Heck, I’m willing to bet that they were doing this in secret, all along.

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