Wunderkammer: Cabinets of Curiosity.

stacked-cabinet

A wunderkammer, otherwise known as a cabinet of curiosity. This is an animated GIF testing out the opening motion of the doors to the cabinet in my film.

 

Hello, my darklings. Sorry for the prolonged absence from this blog, as I’ve begun working on my new animation project entitled Wunderkammer. This project sees the return of Madelaine, the mysterious Victorian lady from my previous short films La Petite Mort (2013) and An Unfortunate Incident Involving Her Hat (2012). As always, curious happenings befall Madelaine. In the latter film, Madelaine became the victim of a very bizarre wardrobe malfunction, and in the former, she engaged in a romantic — but ultimately tragic — tryst with an octopus. Similarly, in Wunderkammer her uncanny adventures continue.

For those not familiar with the term, a wunderkammer was a Renaissance-era predecessor of the modern museum collection. Below is a definition copied from the Tate Modern web site:

Wunderkammer or curiosity cabinets were collections of rare, valuable, historically important or unusual objects, which generally were compiled by a single person, normally a scholar or nobleman, for study and/or entertainment. […]Exotic natural objects, art, treasures and diverse items of clothing or tools from distant lands and cultures were all sought for the wunderkammer. Particularly highly prized were unusual and rare items which crossed or blurred the lines between animal, vegetable and mineral. Examples of these were corals and fossils and above all else objects such as narwhal tusks which were thought to be the horns of unicorns and were considered to be magical.

— excerpt from “History of the wunderkammern (cabinet of curiosities).”

I include here some pencil sketches of the various items and curios found inside the wunderkammer of my film (subject to change as the project evolves, of course).

octopus

Three wet specimen jars containing (left to right) a jellyfish, octopus, and a snake. The octopus is a small nod to my previous film La Petite Mort. 

conjoined-twins

Conjoined twins preserved within a glass specimen container (container not drawn yet).

heads2

Pair of tsantsa, or shrunken human heads. Sure, this might be culturally insensitive, but tsantsa were wildly popular in the 19th century as items of “curiosity” in European cabinets.

monkey

Taxidermy monkey with martini glass. Taxidermy of all kind was popular inside wunderkammer. Not entirely happy with this sketch, and I may revisit at a later date.

eye-cloud

What it looks like: a cloud with a single eye. This never existed inside any wunderkammer, but it does inside mine.

box

The mysterious box. Believe it or not, the contents of this box will prove to be the most strange and curious item inside my wunderkammer. Stay tuned. 

Interview at Oberhausen

Whilst attending the International Short Film Festival Oberhausen in Germany this month (May 2016), I had the pleasure of being interviewed by three young German journalism students. We had a brief conversation about my film in the festival Toronto Alice. They recently sent me a link to the interview, and I used Camtasia to capture it in order to share it with you, my readers. There is no video, only audio.

At one point in the recording, you’ll hear my voice mutter the word “ambiguous” over top of the interview. This was in response to — and a correction of — my previous misuse of the word “ambivalent” during the interview.

Tentacled Darling of the Underground.

528205440_640

Hello, gentle readers. This summer — though not quite over yet — has whizzed by at an alarming rate and those crisp mornings so characteristic of autumn are beginning to cool the air, causing us to reach for that added layer of clothing. As many of you may know, I was preoccupied this summer with producing, and then promoting, my latest short animated film Toronto Alice. With this task now complete, I thought I should mention the activities of that other child of mine, La Petite Mort, which has lately become the tentacled darling of the ‘underground’ film festival circuit.

Last night (August 26), La Petite Mort screened at the UnderGround Short Film Festival in Cork, Ireland. (Wish I could’ve been there, but the finances just didn’t allow for a trip to Ireland). Earlier in the summer, this film was also featured in the Montreal Underground Film Festival — which touts the delightful acronym of MUFF — where it was nominated for the 2015 Jury Prize/Nomination pour un prix du jury MUFF 2015. It was also featured in the Planet X program at the Winnipeg Underground Film Festival, a program that promised “some of the weirdest movies you will ever see” (a notion of which I most heartily approve) .
planetX

Beyond the underground film fest circuit, La Petite Mort has enjoyed some loving from the, ahem, ‘alternative’ porn film festivals like the PopPorn5 Film Festival in São Paulo, Brazil, and the granddaddy of them all, the Berlin Porn Film Festival. Both festivals categorized La Petite Mort under “fetish”, which is a fact I find endlessly funny. These festivals are not dedicated to (what I would characterize as) the mainstream “bleached blonde, breast implants and long, acrylic nails” brand of American-produced pornography, but rather the “pierced, tattooed and hairy armpits” type of alternative, frequently feminist or LGBT, produced porn — which is something I philosophically support. Below is a write-up on La Petite Mort from Lucie Blush, a filmmaker who produces pornography directed at women.

berlinporn

BluRay disc of “Toronto Alice”

BR-TorontoAlice

A big stack of BluRay discs of Toronto Alice ready to ship out to my Indiegogo contributors. Made a few extra for those who didn’t manage to pick up this “perk” during my campaign, but would like to now. BR includes Toronto Alice, my two previous animated shorts “La Petite Mort” and “The Incident in the Nursery”, PLUS a one-hour interview conducted by Elizabeth Fearon and Steve Armstrong. Ships right to your door. WOWZA!

You can purchase the BluRays here.

Toronto Alice

After much thought, I’ve decided to post the entire short film of Toronto Alice online for all to see. Even though I’ve submitted to a bunch of festivals, I decided that wider exposure online was worth the risk of disqualifying the film from a handful of festivals.

If you enjoy, then please share widely. Thanks.

Trailer for “Toronto Alice”.

The entire film of “Toronto Alice” will not be available online to the general public for a little while longer — it’s an eligibility for film festivals and/or “premiere status” sorta thing. In the meantime, please enjoy this sneak peek in the form of a short trailer. Incidentally, the music that plays in the trailer is not featured in the film.

SYNOPSIS

The character of Alice from Lewis Carroll’s ‘Through the Looking-Glass’ is transported to contemporary Toronto. Whilst riding a streetcar, Alice encounters a pair of strange characters who engage her in an equally strange debate over whether or not they, in fact, exist. The dialogue is borrowed directly from Carroll, but given a fresh and funny new twist in this short stop-motion animation.

CAST

Voice of Alice by Nicole Bauman
Voices of Tweedledee & Tweedledum by Matt Speirs
Sound recording and design by Karl Mohr
Paper puppets, stop-motion animation, post-production, editing, and direction by Jennifer Linton
Adapted from “Through the Looking-Glass, and What Alice Found There”, by Lewis Carroll (published in 1871).

This animation was made possible by the financial support of the Ontario Arts Council, and by the generosity of my Indiegogo contributors. Thank you!

Copyright ©2015 Papercut Pictures. All rights reserved.