After long last, I have finished the construction and assembly of my “wedding cake” phonotrope, complete with all its various paper layers. In the rough, off-the-cuff smartphone video posted below, I give the phonotrope a quick whirl on my turntable.
The imagery on this phonotrope includes a twirling gold wedding ring, a hand holding this same ring, a snake that twists and turns into a variation on a figure-eight, and a weeping lover’s eye. Lover’s eye jewellery was popular in the late 1700s and early 1800s, when stylish aristocratic men and women often wore the miniature portraits depicting one eye (usually) of their spouse or lover. Typically painted on ivory, the tiny portraits were fashioned as brooches, rings, pendants, and lockets. The lover’s eye is surrounded by an ouroburos (a snake devouring its own tail, symbolic of the cycle of life, death, and rebirth), which ties back to the snake loop below (itself a looping infinity symbol) which appears on the first layer of this phonotrope.
I plan on building two more phonotropes, making the total number of phonotropes for my proposed installation four. Stay tuned.
In the video posted above, I’m testing out the first layer of my second phonotrope project (you can read about my technical process and first phonotrope here). I decided to play around with varying the number of frames in each animation, resulting in the animation moving horizontally. If you add frames, the animation moves right-to-left; if you subtract, it moves left-to-right. The snake in the centre has the “correct” number of frames (32) so it remains in the same location.
Thinking about building an interior framework with balsa wood + dowling to minimize the wobble of the paper at the top. (The taller the paper structure gets, the more prone it is to wobble when rotated).
Now, on to the next layer/s for this phonotrope. Thinking of having one, and maybe two, additional layers on the inside of this phonotrope. Stay tuned.