Backyard: a fearonrevell project

I have created a site-specific sculpture for the upcoming group exhibition Backyard, curated by Elizabeth Fearon. The concept for the show is simple and clever: site-specific work in the backyard of her own home. There’s an impressive roster of participants, so it promises to be a good show. Here’s all the details:

My site-specific installation for the group exhibition “Backyard.” Jennifer Linton, “Lawn Shadows”, 2012, wood, paint, copper pipe, electrical tape.

Backyard: a fearonrevell project

Site-specific installations will be created for our backyard by:

Myfanwy Ashmore
Mark Connery
Marie de Sousa
Elizabeth Fearon
Michelle Johnson
Jennifer Linton
Tanya Read
Rupen
Fiona Smyth
Julie Voyce
Natalie Majaba Waldburger

The show will run from the 4th of Aug. (Opening reception: 2-6pm) until the 26th of August. The backyard will be open to the public from 1 to 6, Wednesday through Sunday.

Location: 85 Carlaw Ave. Toronto

For more information call 416 654 3232

Lady Lazarus would love your feedback!

 

Truth be told, I’ll likely write about whatever catches my fancy — but I’m curious to know which content you, the reader, appreciate and enjoy the most. Think there should be more discussion and analysis of New Gothic Art in the blogosphere? Lemme know. Or are you tired of hearing film-geek-speak about bad 1970’s drive-in films? Fair enough. I’m all ears, electronically speaking.

Domestikia: An Account of Some Strange Disturbances. The Incident in the Nursery.

Domestikia: The Incident in the Nursery. from Jennifer Linton on Vimeo.

At last, I’ve completed my second stop-motion animated short film. Domestikia uses paper cutouts and articulated paper puppets in a stop-motion animation to explore the strange, dreamlike and uncanny realm of the Domestic Gothic.  With a healthy dose of black humour, it tackles the anxieties and challenges experienced by parents of young children. The ‘Domestic Gothic’ as a motif developed through the writing of 19th-century women Gothic novelists, such as the Brontë Sisters, and dealt specifically with the horror of confinement felt by women who were ‘imprisoned’ within the home and unable to move freely in Victorian society. With contemporary women still predominantly acting as primary caregivers to their children — and thus financially penalized by either remaining at home or opting for employment that allows for ‘family friendly’ work hours — this sense of confinement is still present. The realm of the domestic has become infiltrated by strange creatures — a giant butterfly, an octopus, and bird-headed children — whose presence suggest a level of discomfort within the home. These creatures are the physical manifestation of Freud’s das Unheimlich (translates to English as ‘the uncanny’), a term which literally means ‘unhomely.’

All images and animation were done by me, in my basement.